![]() ![]() He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. ![]() Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. If you’re keen, it’s going for a pretty great price right now.Ĭhris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. Please check out our Sigma 24-70mm f2.8 DG DN Art Review update by clicking this link. I personally really like what Tamron does. ![]() If you’re using a Sony camera, reach for either Sony’s or Tamron’s lens. But there’s a difference between the speed of Superman and the Flash, and only one ever entered the speed force. It’s also noticeably slower to autofocus than the Panasonic lens. The Sigma is less than half the price of the Panasonic 24-70mm f2.8 Lumix S Pro. What also makes sense is why the Sigma is so affordable. ![]() When you realize they’re part of the L mount alliance, that makes more sense. Let me be very clear here: the Sigma 24-70mm f2.8 DG DN Art is faster on the Leica SL2s than on Sony’s cameras. And we’re starting to understand the system more. But, with the recent Leica SL2s update, things are changing. Indeed, it was still the truth as Sigma’s autofocus on their own cameras was abysmal. This happened even when DSLRs were more common. Sigma blamed autofocus problems on cameras and not their own lenses or motors. For the longest time, that wasn’t the case. With that said, I always thought it would perform better on L mount cameras. Sigma, naturally, is part of the L mount alliance. And they’d also demand that it work with a camera system’s autofocus and stabilization. To that end, we know some folks would want that feature. It’s actually an important part of our testing that everyone can do that. Trust me, we’ve had former staff that couldn’t handhold a shot below 1/15th of a second. Then, consider the odd soft-lock and the lack of image stabilization, and this would probably put many folks off. This fact, coupled with the mammoth size, made me sell the 35mm f1.2 DG DN Art. On Sony E Mount, Sigma glass has always had disappointing autofocus. It’s cryptic, sometimes a bit shady, and always confusing. This all means we have to just slap the lens onto a camera and figure it out as we go. So that makes it tough for us to compare it to a Sony G Master, Tamron’s 28-75mm f2.8, Panasonic’s own lens, and even Leica’s variant. But we’re doing the best we can in our Sigma 24-70mm f2.8 Art Review update. Every other 24-70mm f2.8 lens is more pricey. When they launched the Sigma 24-70mm f2.8 DG DN Art, it was priced at a consumer level. It makes reviewing their products very difficult. I’ve often voiced this on behalf of our team. They’ll launch products with no clear decision or marketing tactic on what to do with them. Some of these will come out in our Sigma 24-70mm f2.8 Art Review update. Our reps haven’t answered our last email, and we’re unsure of our own relationship. But for the past few years, they’ve had issues with us voicing our opinions based on our experiences. In the past decade, we’ve also reviewed every single Sigma prime lens. We’ve reviewed over 700 lenses in real-world tests: arguably the most of any surviving photo publication. I’ll preface this by saying we’ve forever had the oddest relationship with Sigma. After the recent Leica SL2s firmware update, though, things have changed. Earlier this year, the combo frustrated me in low light. But, I now own the Leica SL2s and bought the Sigma 24-70mm f2.8. I purposely chose the Sony a7r III because the autofocus and resolution combo made the most sense. When we first reviewed it, we tested it on the Sony E mount system. But there’s a very different story to be told when actually using the lens. Considering the price, it seems like an obvious purchase for most users. It has 11 aperture blades, great image quality, and it’s weather sealed. Our initial Sigma 24-70mm f2.8 Art Review gave the lens very high marks. We’re still scratching our head a bit, but our Sigma 24-70mm f2.8 Art Review has been updated. ![]()
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